Lev Manovich's slides - Tate Live: On Mediated Experience: Oct 27, 2014

The Imaginary App: a new book from Software Studies series @ The MIT Press



The latest book from Software Studies series at The MIT Press:


The Imaginary App

Edited by Paul D. Miller (aka DJ Spooky that Subliminal Kid) and Svitlana Matviyenko. The MIT Press, 2014.


From the publisher:

Mobile apps promise to deliver (h)appiness to our devices at the touch of a finger or two. Apps offer gratifyingly immediate access to connection and entertainment. The array of apps downloadable from the app store may come from the cloud, but they attach themselves firmly to our individual movement from location to location on earth. In The Imaginary App, writers, theorists, and artists--including Stephen Wolfram (in conversation with Paul Miller) and Lev Manovich--explore the cultural and technological shifts that have accompanied the emergence of the mobile app. These contributors and interviewees see apps variously as “a machine of transcendence,” “a hulking wound in our nervous system,” or “a promise of new possibilities.” They ask whether the app is an object or a relation, and if it could be a “metamedium” that supersedes all other artistic media. They consider the control and power exercised by software architecture; the app’s prosthetic ability to enhance certain human capacities, in reality or in imagination; the app economy, and the divergent possibilities it offers of making a living or making a fortune; and the app as medium and remediator of reality.

Also included (and documented in color) are selected projects by artists asked to design truly imaginary apps, “icons of the impossible.” These include a female sexual arousal graph using Doppler images; “The Ultimate App,” which accepts a payment and then closes, without providing information or functionality; and “iLuck,” which uses GPS technology and four-leaf-clover icons to mark places where luck might be found.


Contributors:

Christian Ulrik Andersen, Thierry Bardini, Nandita Biswas Mellamphy, Benjamin H. Bratton, Drew S. Burk, Patricia Ticineto Clough, Robbie Cormier, Dock Currie, Dal Yong Jin, Nick Dyer-Witheford, Ryan and Hays Holladay, Atle Mikkola Kjøsen, Eric Kluitenberg, Lev Manovich, Vincent Manzerolle, Svitlana Matviyenko, Dan Mellamphy, Paul D. Miller aka DJ Spooky That Subliminal Kid, Steven Millward, Anna Munster, Søren Bro Pold, Chris Richards, Scott Snibbe, Nick Srnicek, Stephen Wolfram.


About Software Studies series at MIT Press:

The Software Studies series publishes the best new work in a critical and experimental field that is at once culturally and technically literate, reflecting the reality of today’s software culture. The field of software studies engages and contributes to the research of computer scientists, the work of software designers and engineers, and the creations of software artists. Software studies tracks how software is substantially integrated into the processes of contemporary culture and society. It does this both in the scholarly modes of the humanities and social sciences and in the software creation/research modes of computer science, the arts, and design.


Software Studies series co-editors:

Dr. Noah Wardrip-Fruin, The University of California, Santa Cruz (UCSC).

Dr. Lev Manovich, The Graduate Center, City University of New York (CUNY).




The cover of The Imaginary App


"The Exceptional and the Everyday: 144 hours in Kiev" - our new project exploring 13K Instagram photos from 2014 Ukrainian revolution


http://www.the-everyday.net/

The Exceptional and the Everyday: 144 hours in Kiev is the first project to analyze the use of Instagram during a social upheaval.

Using computational and data visualization techniques, we explore 13,208 Instagram images shared by 6,165 people in the central area of Kiev during 2014 Ukrainian revolution (February 17 - February 22, 2014).


From The Everyday Project

Over a few days in February 2014, a revolution took place in Kiev, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals?

If we look at images of Kiev published by many global media outlets during the 2014 Ukrainian Revolution, the whole city is reduced to what was taking place on its main square. On Instagram, it looks different. The images of clashes between protesters and the police and political slogans appear next to the images of the typical Instagram subjects. Most people continue their lives. The exceptional co-exists with the everyday. We saw this in the collected images, and we wanted to communicate it in the project.

The Exceptional and the Everyday: 144 hours in Kiev continues previous work of our lab (Software Studies Initiative, softwarestudies.com) with visual social media:

phototrails.net (analysis and visualization of 2.3 Instagram photos in 14 global cities, 2013)

selfiecity.net (comparison between 3200 selfie photos shared in six cities, 2014; collaboration with Moritz Stefaner).

In the new project we specifically focus on the content of images, as opposed to only their visual characteristics. We also explore non-visual data that accompanies the images: most frequent tags, the use of English, Ukrainian and Russian languages, dates and times when images their shared, and their geo-coordinates.


Project web site:

http://www.the-everyday.net/


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